This message is at the heart of my work and though it's a cliche, it is one I wish to spur on and truly believe in. I once read something like: 'Do what you love, because it's the only thing you will ever have enough motivation to actually get great at.'
Mostrando entradas con la etiqueta Inspiring. Mostrar todas las entradas
Mostrando entradas con la etiqueta Inspiring. Mostrar todas las entradas
3 may 2013
20 feb 2013
11 feb 2013
Franklin McMahon: "What I lose in accuracy I make up for in spontaneity"
Franklin McMahon: "What I lose in accuracy I make up for in spontaneity":
"My method of working is to draw directly wherever possible." said Franklin McMahon in an article in the April 1956 issue of American Artist magazine.

"I pick a point - usually a point closest to me in the scene I'm drawing. I begin at this point and work out. All other parts of the drawing take their place in relation to this point."

"I wait for the people to settle down or assume a characteristic pose and then draw them in."

"What I lose in accuracy I make up for in spontaneity, and there is a hoped-for reality (a feeling of being there) which I don't think can be achieved as well in any other way."

"All of these drawings were made directly in ink with no preliminary pencilling. There is no blocking in. The edge of the subject is almost traced out of the air."

"Sometimes I pencil-up the signs, lettering them in later at the studio."

"I am very much interested in design," McMahon continued. "I have a distinct feeling, however, that design, as we have come to know it, has become rather in-bred."

"Being primarily an illustrator-designer I found that my own personal corrective was to get out and look around - a return to first principles, so to speak. That is why I have welcomed these direct drawing assignments."

"In this sort of drawing the design grows out of the artist's work on the site and his interaction with the subject matter..."

"... rather than being superimposed later in the studio."

At this point in his career (the mid-1950s) McMahon worked with #4 brushes dipped in india ink on large sheets (20" x 25") of cover stock. He said, "I use this large sheet since I never know exactly, when I begin, just where the drawing is going to end!"

"The drawing is not blocked-in or planned in advance...

"... it just grows and the design continues to develop with it."

* More on Franklin McMahon tomorrow
"My method of working is to draw directly wherever possible." said Franklin McMahon in an article in the April 1956 issue of American Artist magazine.

"I pick a point - usually a point closest to me in the scene I'm drawing. I begin at this point and work out. All other parts of the drawing take their place in relation to this point."

"I wait for the people to settle down or assume a characteristic pose and then draw them in."

"What I lose in accuracy I make up for in spontaneity, and there is a hoped-for reality (a feeling of being there) which I don't think can be achieved as well in any other way."

"All of these drawings were made directly in ink with no preliminary pencilling. There is no blocking in. The edge of the subject is almost traced out of the air."

"Sometimes I pencil-up the signs, lettering them in later at the studio."

"I am very much interested in design," McMahon continued. "I have a distinct feeling, however, that design, as we have come to know it, has become rather in-bred."

"Being primarily an illustrator-designer I found that my own personal corrective was to get out and look around - a return to first principles, so to speak. That is why I have welcomed these direct drawing assignments."

"In this sort of drawing the design grows out of the artist's work on the site and his interaction with the subject matter..."

"... rather than being superimposed later in the studio."

At this point in his career (the mid-1950s) McMahon worked with #4 brushes dipped in india ink on large sheets (20" x 25") of cover stock. He said, "I use this large sheet since I never know exactly, when I begin, just where the drawing is going to end!"

"The drawing is not blocked-in or planned in advance...

"... it just grows and the design continues to develop with it."

* More on Franklin McMahon tomorrow
23 ene 2013
21 ene 2013
14 nov 2012
22 oct 2012
Bosque - Forest
Bosque - Forest:
Baobab estudio es un grupo de ilustradores que comparten espacio de trabajo en la ciudad de A Coru?a.
Baobab estudio is an illustrators group that share work space in Corunna city.
Baobab estudio is an illustrators group that share work space in Corunna city.
whats your secret to such appealing designs!?
whats your secret to such appealing designs!?:
I don’t have one…I don’t know! Here, look at some appealing design-y friends:
http://amandawinterstein.tumblr.com/
http://toffany.tumblr.com/
http://colin-howard.tumblr.com/
http://art-water.tumblr.com/
http://duttonart.tumblr.com/
http://ducksofrubber.tumblr.com/
http://ellemichalka.tumblr.com/
http://sophiafosterdimino.tumblr.com/
They are real good. I want to make a big post of everyone I know who inspires me, but have this baby one for now
edit: Also I just found this - http://carinteriors.tumblr.com/ Really really really cool.
edit2: Also, you should read books. Always
I don’t have one…I don’t know! Here, look at some appealing design-y friends:
http://amandawinterstein.tumblr.com/
http://toffany.tumblr.com/
http://colin-howard.tumblr.com/
http://art-water.tumblr.com/
http://duttonart.tumblr.com/
http://ducksofrubber.tumblr.com/
http://ellemichalka.tumblr.com/
http://sophiafosterdimino.tumblr.com/
They are real good. I want to make a big post of everyone I know who inspires me, but have this baby one for now
edit: Also I just found this - http://carinteriors.tumblr.com/ Really really really cool.
edit2: Also, you should read books. Always
Project Giant, Trippel Trappel and more!
Project Giant, Trippel Trappel and more!:
Busy as usual, but here's a quick update on things!
Trippel Trappel
Well, pre-production has finally begun on the Dutch Feature Animation movie 'Trippel Trappel' at the Anikey Studio! I'm currently having a blast doing lots of visual development work for this movie, and what's even cooler is that I'm able to combine it with my themepark work on the Adventure World Warsaw project. Pretty darn cool!
CTN
Another big thing coming up is the recruiting event CTN in Los Angeles this november, and guess who's finally going! I'll be attending this awesome animation event together with friend and collegue Wouter Tulp, can't wait to meet you all there! They even created a cool profile of me at the CTN website , check it out here !
Giant
Ah, and then there's some new stuff I've been doing for my personal project, which I simply dubbed 'Giant' for the time being. Above paintings were meant as quick explorations regarding style and mood, aprox. 2 to 4 hours each. Oh, and kudos to friend and skilled jetpack builder Jeffrey for coming up with the logo!
Rhemrev.com
I also updated my portfolio site rhemrev.com, be sure to check it out!
Sketchbook
Did you know I have an online sketchbook aswell? It's linked to my instagram account, and can be found here: http://www.gramfeed.com/rhemrev
More stuff coming up!
-Edwin
Busy as usual, but here's a quick update on things!
Trippel Trappel
Well, pre-production has finally begun on the Dutch Feature Animation movie 'Trippel Trappel' at the Anikey Studio! I'm currently having a blast doing lots of visual development work for this movie, and what's even cooler is that I'm able to combine it with my themepark work on the Adventure World Warsaw project. Pretty darn cool!
CTN
Another big thing coming up is the recruiting event CTN in Los Angeles this november, and guess who's finally going! I'll be attending this awesome animation event together with friend and collegue Wouter Tulp, can't wait to meet you all there! They even created a cool profile of me at the CTN website , check it out here !
Giant
Ah, and then there's some new stuff I've been doing for my personal project, which I simply dubbed 'Giant' for the time being. Above paintings were meant as quick explorations regarding style and mood, aprox. 2 to 4 hours each. Oh, and kudos to friend and skilled jetpack builder Jeffrey for coming up with the logo!
Rhemrev.com
I also updated my portfolio site rhemrev.com, be sure to check it out!
Sketchbook
Did you know I have an online sketchbook aswell? It's linked to my instagram account, and can be found here: http://www.gramfeed.com/rhemrev
More stuff coming up!
-Edwin
Les mots de la carpe - Trailer
Les mots de la carpe - Trailer:
Voilà le rapide Trailer de mon film de fin d'étude à la Poudrière.
Les mots de la carpe - Trailer from Lucrece Andreae on Vimeo.
Je n'ai pas le droit de le mettre sur internet mais il sera un jour sur le site d'Arte.
Si vous souhaitez le voir en entier, vous pouvez aussi m'envoyer un mail, on trouvera bien un moyen!
Les mots de la carpe - Trailer from Lucrece Andreae on Vimeo.
Je n'ai pas le droit de le mettre sur internet mais il sera un jour sur le site d'Arte.
Si vous souhaitez le voir en entier, vous pouvez aussi m'envoyer un mail, on trouvera bien un moyen!
Oscar Cahén
Oscar Cahén: Last week Renata and I felt fortunate to be able to see the originals of illustrator Oscar Cahén in person, which is thanks to the current showing of his work at MOCA Museum of Contempory Art in Calgary. It's pretty sweet to see original work of an artist such as Oscar Cahén, I am not sure if I was more inspired or cowed by the immense virtuosity of Mr. Cahén's illustration. It's a dilemma I look forward to experiencing further as I plan to make many more trips to the gallery to see this show - if your in Calgary you should too!
Oscar Cahén: Canada's Groundbreaking Illustrator, 1931-1956
October 4 - December 1, 2012
Museum of Contemporary Art FREE admission Tues - Fri: 11:00 am - 5:00 pm Sat: 12:00 - 4:00 pm 104 - 800 Macleod Trail SE (Main floor, Calgary Municipal Building) Calgary, Alberta Canada T2G 2M3 (403) 262-1737 info@mocacalgary.org or info@oscarcahen.com
This exhibition surveys Cahén's work from his beginning to his untimely death in 1956 at age 40. Coming from Europe as a prisoner of war, Cahén began freelancing while still interned as an enemy alien. His talent led to his release, and he went on to influence many younger illustrators and to modernize Canadian illustration with his extreme versatility and experimental approaches. Cahén was recognized in 1951 by the Art Directors Club of New York, and he dominated the Toronto Art Directors Club awards throughout the early 1950s. He also appeared in design periodicals Graphis Annual and Publimondial. Cahén is remembered today for his major contribution in the mid-1950's to abstract painting in Toronto as a member of the famed collective Painters 11. This exhibition, which includes a full colour catalogue, brings attention to how his prior and concurrent illustration practice informed his exploration of painting. On view will be approximately 30 original illustrations borrowed from private and family collections, made for periodicals such as MacLean's, Canadian Home Journal, Weekend Picture Magazine, and the Montreal Standard.
Oscar Cahén: Canada's Groundbreaking Illustrator, 1931-1956
October 4 - December 1, 2012
Museum of Contemporary Art FREE admission Tues - Fri: 11:00 am - 5:00 pm Sat: 12:00 - 4:00 pm 104 - 800 Macleod Trail SE (Main floor, Calgary Municipal Building) Calgary, Alberta Canada T2G 2M3 (403) 262-1737 info@mocacalgary.org or info@oscarcahen.com
This exhibition surveys Cahén's work from his beginning to his untimely death in 1956 at age 40. Coming from Europe as a prisoner of war, Cahén began freelancing while still interned as an enemy alien. His talent led to his release, and he went on to influence many younger illustrators and to modernize Canadian illustration with his extreme versatility and experimental approaches. Cahén was recognized in 1951 by the Art Directors Club of New York, and he dominated the Toronto Art Directors Club awards throughout the early 1950s. He also appeared in design periodicals Graphis Annual and Publimondial. Cahén is remembered today for his major contribution in the mid-1950's to abstract painting in Toronto as a member of the famed collective Painters 11. This exhibition, which includes a full colour catalogue, brings attention to how his prior and concurrent illustration practice informed his exploration of painting. On view will be approximately 30 original illustrations borrowed from private and family collections, made for periodicals such as MacLean's, Canadian Home Journal, Weekend Picture Magazine, and the Montreal Standard.
New pencil brushes
New pencil brushes:
So my homie hooked me up with these pencil brushsets for Photoshop. I spent the day testing them out and i gotta say, theyre pretty damn sweet.
If you'd like to try em for yourself, clickety click this linkety link
make sure you click on where it says "click here to start download from sendspace" to avoid popups.
Have fun sketching!
CRCR Amplifies Animated Spot For Lowdi
CRCR Amplifies Animated Spot For Lowdi:
CRCR (Jesus 2000) animated this new online spot for Lowdi, a wireless speaker.
CRCR (Jesus 2000) animated this new online spot for Lowdi, a wireless speaker.
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