Mostrando entradas con la etiqueta Animation. Mostrar todas las entradas
Mostrando entradas con la etiqueta Animation. Mostrar todas las entradas
27 mar 2013
8 mar 2013
20 feb 2013
23 ene 2013
21 ene 2013
18 ene 2013
19 dic 2012
22 oct 2012
Les mots de la carpe - Trailer
Les mots de la carpe - Trailer:
Voilà le rapide Trailer de mon film de fin d'étude à la Poudrière.
Les mots de la carpe - Trailer from Lucrece Andreae on Vimeo.
Je n'ai pas le droit de le mettre sur internet mais il sera un jour sur le site d'Arte.
Si vous souhaitez le voir en entier, vous pouvez aussi m'envoyer un mail, on trouvera bien un moyen!
Les mots de la carpe - Trailer from Lucrece Andreae on Vimeo.
Je n'ai pas le droit de le mettre sur internet mais il sera un jour sur le site d'Arte.
Si vous souhaitez le voir en entier, vous pouvez aussi m'envoyer un mail, on trouvera bien un moyen!
APE
APE:
This weekend I'll be representing the Aardman Animation comic book anthology 'Tales Of The Spiffing' along with ex-Aardman alumni Rej Bourdages and J.P. Vine. We'll be signing books and making doodles for those who buy this tome of creative wonderment.
Come find us at table #207
I'll also be debuting my first printed book- a collection of sketches from Gesture Class at Pixar.
Come find us at table #207
I'll also be debuting my first printed book- a collection of sketches from Gesture Class at Pixar.
CRCR Amplifies Animated Spot For Lowdi
CRCR Amplifies Animated Spot For Lowdi:
CRCR (Jesus 2000) animated this new online spot for Lowdi, a wireless speaker.
CRCR (Jesus 2000) animated this new online spot for Lowdi, a wireless speaker.
The Butterfly Effect
The Butterfly Effect:
The Butterfly Effect es un corto de animación ultra-trepidante dirigido por Dan Sumich, perteneciente a la productora Passion Pictures, creado mediante el motor de videojuegos Unity 4.0 3D. En la pieza, Sumich ha rendido homenaje a las películas clásicas de acción entre los setentas y noventas. Ésta va perfectamente unida con una poderosa banda sonora de heavy metal interpretada por Steve Grimmett.
The Butterfly Effect is a ultra-frenetic CG animated film directed by Passion Pictures‘ director Dan Sumich, which is created using Unity 4.0 3D video-game engine software. Sumich has payed tribute to the classic action films from the 1970s through to the 1990s, and it’s perfectly joined to a powerful heavy metal soundtrack performed by Steve Grimmett.
The Butterfly Effect es un corto de animación ultra-trepidante dirigido por Dan Sumich, perteneciente a la productora Passion Pictures, creado mediante el motor de videojuegos Unity 4.0 3D. En la pieza, Sumich ha rendido homenaje a las películas clásicas de acción entre los setentas y noventas. Ésta va perfectamente unida con una poderosa banda sonora de heavy metal interpretada por Steve Grimmett.
The Butterfly Effect is a ultra-frenetic CG animated film directed by Passion Pictures‘ director Dan Sumich, which is created using Unity 4.0 3D video-game engine software. Sumich has payed tribute to the classic action films from the 1970s through to the 1990s, and it’s perfectly joined to a powerful heavy metal soundtrack performed by Steve Grimmett.
Strap in For New Gobelins Short – Peste et Crouton
Strap in For New Gobelins Short – Peste et Crouton:
Here’s a gorgeous new student short from the French school Gobelins, titled Peste et Crouton, which was directed by Marion Bulot, Eve Ceccarelli, Jeanne-Sylvette Giraud, Sophie Markatatos and Laurent Moing.
Here’s a gorgeous new student short from the French school Gobelins, titled Peste et Crouton, which was directed by Marion Bulot, Eve Ceccarelli, Jeanne-Sylvette Giraud, Sophie Markatatos and Laurent Moing.
2 oct 2012
"Pinched" By David Vandervoort
"Pinched" By David Vandervoort:
Dave Vandervoort has put his awesome short online.
Pinched from David Vandervoort on Vimeo.
Dave Vandervoort has put his awesome short online.
Pinched from David Vandervoort on Vimeo.
Projet de série "Power Ball"
Projet de série "Power Ball":
Voila le pilote d'un projet de série sur lequel j'étais directeur artistique et
puis deux illustrations que j'ai faites avec Barth :
Power Ball Trailer from Alphanim on Vimeo.
Voila le pilote d'un projet de série sur lequel j'étais directeur artistique et
puis deux illustrations que j'ai faites avec Barth :
Power Ball Trailer from Alphanim on Vimeo.
Is animation older than civilization?
Is animation older than civilization?:
Based on current evidence, the development of writing, and with it, “recorded history” goes back at least 5,000 or 6,000 years, perhaps further.
The development of agriculture, which we use to mark the beginnings of “civilization” can be set at roughly 10,000 years. (Those who choose to believe that the earth is 4,000 to 7,000 years old can put their fingers in their ears and chant “La la la la la…” until we’re done discussing science and history.)
In contrast, radiocarbon dating has established that art, in the form of sophisticated cave paintings discovered in France and Spain, is at least 35,000 years old.
Animation, the use of multiple images to give the illusion of motion, has generally been assumed to have been an invention, in various forms, of the early 19th century. (It’s interesting to note that animation, even if you assume it to have started in the 19th century, predates and is the parent of movies, not the other way around.)
A new paper by French archaeologist Marc Azéma and his collaborator, artist Florent Rivére, suggests that animation may in fact be almost as old as our oldest sophisticated examples of art, going back some 30,000 years.
Based on 20 years of research, a recently published a paper that summarizes their findings outlines how paintings on cave walls in Chauvet and La Baume Latrone, that show animals with multiple superimposed representations of legs, tails, heads or even body positions, may have been more than suggestions of motion, and may, in fact have been designed to be animated by the action of flickering firelight.
There is a video accompanying some of the articles listed below in which simplified examples of the cave paintings have been extracted and arranged in sequence to show how that effect may have worked.
Prehistoric Europeans may also have invented the “thaumotope”, an animation toy assumed to have been invented in the 19th century — essentially a disk with images painted on both sides that, when suspended on two strings (or strands of animal tendon), could be spun to make the images appear in rapid sequence, producing the illusion of motion or superimposition.
Perhaps this helps explain why France, out of proportion to its size and population, is such a strong center for animation today — they’ve been at it for 30,000 years.
[Via Jeremy Lipking, on Twitter as @lipking]
Based on current evidence, the development of writing, and with it, “recorded history” goes back at least 5,000 or 6,000 years, perhaps further.
The development of agriculture, which we use to mark the beginnings of “civilization” can be set at roughly 10,000 years. (Those who choose to believe that the earth is 4,000 to 7,000 years old can put their fingers in their ears and chant “La la la la la…” until we’re done discussing science and history.)
In contrast, radiocarbon dating has established that art, in the form of sophisticated cave paintings discovered in France and Spain, is at least 35,000 years old.
Animation, the use of multiple images to give the illusion of motion, has generally been assumed to have been an invention, in various forms, of the early 19th century. (It’s interesting to note that animation, even if you assume it to have started in the 19th century, predates and is the parent of movies, not the other way around.)
A new paper by French archaeologist Marc Azéma and his collaborator, artist Florent Rivére, suggests that animation may in fact be almost as old as our oldest sophisticated examples of art, going back some 30,000 years.
Based on 20 years of research, a recently published a paper that summarizes their findings outlines how paintings on cave walls in Chauvet and La Baume Latrone, that show animals with multiple superimposed representations of legs, tails, heads or even body positions, may have been more than suggestions of motion, and may, in fact have been designed to be animated by the action of flickering firelight.There is a video accompanying some of the articles listed below in which simplified examples of the cave paintings have been extracted and arranged in sequence to show how that effect may have worked.
Prehistoric Europeans may also have invented the “thaumotope”, an animation toy assumed to have been invented in the 19th century — essentially a disk with images painted on both sides that, when suspended on two strings (or strands of animal tendon), could be spun to make the images appear in rapid sequence, producing the illusion of motion or superimposition.
Perhaps this helps explain why France, out of proportion to its size and population, is such a strong center for animation today — they’ve been at it for 30,000 years.
[Via Jeremy Lipking, on Twitter as @lipking]
Featuring: Bo Soremsky, Berlin Urban Sketcher
Featuring: Bo Soremsky, Berlin Urban Sketcher:
Bo Soremsky is correspondent for Berlin Urban Sketchers. He was born in 1983 in Duisburg, Germany. After school he studied graphic design in Krefeld. In 2006, during his studies, he moved to Berlin. After finishing his diploma he did a masters degree in illustration /reportage drawing in Potsdam. Since 2011 he is working as a freelance-illustrator in Berlin.
The work of Bo is very interesting. He keeps experimenting the use of on-site drawing in the digital media. One interesting work was a courtroom reportage in a trial, where a well-known German weather man, was accused of rape. In "Der Kachelmann Prozess" Bo combines drawings made during the process, with others that describes some of events of the case. The whole presentation is interactive. When rolling over the images you get more information about the case.
Lately Bo Soremsky has been doing some simple animations of Berlin street scenes. He draw the image on site and later add some animation to the scene. Usually pedestrians, cars and bikes.
Check his work!
His Website: http://www.bosoremsky.de/
His Blog: http://bosoremsky.blogspot.de/
Bo Soremsky is correspondent for Berlin Urban Sketchers. He was born in 1983 in Duisburg, Germany. After school he studied graphic design in Krefeld. In 2006, during his studies, he moved to Berlin. After finishing his diploma he did a masters degree in illustration /reportage drawing in Potsdam. Since 2011 he is working as a freelance-illustrator in Berlin.
The work of Bo is very interesting. He keeps experimenting the use of on-site drawing in the digital media. One interesting work was a courtroom reportage in a trial, where a well-known German weather man, was accused of rape. In "Der Kachelmann Prozess" Bo combines drawings made during the process, with others that describes some of events of the case. The whole presentation is interactive. When rolling over the images you get more information about the case.
Lately Bo Soremsky has been doing some simple animations of Berlin street scenes. He draw the image on site and later add some animation to the scene. Usually pedestrians, cars and bikes.
Check his work!
His Website: http://www.bosoremsky.de/
His Blog: http://bosoremsky.blogspot.de/
18 sept 2012
13 sept 2012
Bathroom scales
Bathroom scales:
Don't forget to check our graduation film if it's not already done http://www.youtube.com/watch?v=vFART6ZMeEA
Making of and more on my portfolio
Don't forget to check our graduation film if it's not already done http://www.youtube.com/watch?v=vFART6ZMeEA
Making of and more on my portfolio
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